Street Fashion

Today we are joining Yuval on a fashion project that is a little different from any of the past fashion shoots I've done. In this case she played the role of model, stylist and director for the whole project. The idea was to do something that looked candid but also high fashion. The sort of shots a good paparazzi would get of a supermodel while she is shopping in Paris. 

To make things feel more European we needed a location that looked classy and didn't scream it was shot here in Tel Aviv. So I did what a photographer should always try to do, and went location scouting a week before the shoot. 

A good friend from Tel Aviv helped me find a string of cool locations, starting from some new buildings with a wooden deck floor around them, through some renewed buildings in the gentrified part of south Tel Aviv, and finishing on brick road streets on the edge of old Yaffo. 

Our model/stylist had several looks to go through and we managed to get quite a few shots for each of them until sunset. 

Forest photoshoot

This was one fun shoot. There's much to say about the gorgeous Einav, but you'll see enough of her after the break. What I've really learned from this session is how much fun and value you can get from doing a "model test".

This isn't what you're thinking of: a studio session in black and white where the model is wearing jeans and a tank top. It could be... but there's much more to the "test" than that. Somewhere between the fashion shoot, the portrait session and the editorial style shoot there's this weird encounter where model and photographer have sort of a job interview.

The photographer gets to see what this new model knows, what her good sides are, what expressions she can pull off and what poses she can handle. The model gets to know the photographer, too. What he can do, if she can count on him to be professional, and to supply the final image. Most of all, the shoot isn't bound by the need to get all the sets done, or by wanting to get all angles of a location or concept.

Desert Colors

So here's another overdue fashion photo shoot we did almost six months ago... this time going back to Beer Sheba for some desert themed portraits.

I was contacted by Adi, the makeup artist, to do a desert shoot. Her emphasis was on the colors of the makeup, but I had though this would be a great opportunity to bring to life another idea I had for a while now.

I had purchased some shiny colored fabrics a few months before this, hoping I'd have the chance to shoot something a little more abstract with fabrics blowing in the wind.

The wind wasn't as cooperative as I'd hoped, but the end results were still quite interesting. I liked the fact that we didn't need a fashion provider for the shoot, as the fabrics doubled as dresses, held together casually with hair clips.

Models: Tal Ratson and Michal Carmi
Makeup and hair: Adi Chen

Photo Recipe

Today we have a short one, bringing together my two great loves: food and photography. In fact, this very blog had started with a food-photography post I put up almost four years ago!

This time I wanted to participate in a photographic-recipe contest arranged by the student body at my institute. I don't know if the contest ever did happen or if I just missed the deadline, but I was making food one day and decided to document some of the process.

It took me twice as long to make the damn thing because I had to stop and fidget with the flash for some of these shots... but once the food was cooking I didn't have that much time for setting it up just right, and when it was ready I wasn't thinking about the pictures anymore - I was way too hungry!

A list of ingredients + instructions after the break...

Living Statues 2015

Like every year I find myself coming back to the Rehovot living statues festival. Being my hometown it is convenient to come visit and go have a look at this year's statues with my folks.

So this festival was in July, and just like the last few times, I came ready with a flash pole, and got the most drama out of these nightshots as I could.

I like to compare the new innovations to the statues from previous years, particularly when I can recognize some of the performers and see how they come up with new costumes each year. I can maybe even see my own work improving from year to year... but I leave that for you to decide.

Brides and Beach

So last summer we did our second bridal photo-shoot (the first one here),  this time on the beach of Caesarea. I had been contacted by make up artist Danit, that already had the wedding gown vendors and the location chosen. We only needed to find two models, which led us to the beautiful Maria and Karina that star in this post. I had also contacted my friend Yael to video the whole shoot.

The schedule for the shoot was clear. We arrive at 16:00 at Danit's house, and begin makeup and hair on the two models in parallel, switch them, and then drive 15 minutes to Caesarea beach to be there at 17:00, with plenty of time to spare before magic hour. In practice, everyone was late (there was horrible traffic), getting ready took longer than I thought, and we had ended up arriving at the location less than half an hour before sunset. So we scrambled, we skipped over some things and went straight for the money shot.

Studio Sessions - Adi

 After a few non-fashion posts I decided to jump back a bit to my first (and so far only) studio session. I had been collaborating again with Zoe from Swans Moda and this time we shot in her studio/basement. You may recall our beach shoot from the year before, or the urban winter shoot.

The model for this shoot is the beautiful, not-yet-even-eighteen Adi Hashamonai, who made things very easy for me as she both knew how to work the camera angles and looked amazing in anything we put on her. 

The studio setup was pretty simple. A white fabric with two constant lights in soft-boxes to burn it out, another constant soft-box as fill from the left, and my flash in a fourth soft-box as key. Then I alternated between the 105mm for closeups and the 50mm for full body and medium shots, as I didn't have enough room to back up to use only the long lens for everything.